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They’re also relatively high output, capable of kicking your amp into overdrive if you want. While they don’t have quite the articulate snap of some of the lower-output models in our roundup, they sound open and airy when you pull back the gain, despite that ever-present fatness. They’re definitely some of the thicker-toned models in our roundup, and they can get a bit boomy when heavily overdriven, but that’s nothing a tweak of your amp’s bass knob won’t fix. Cons: May be too tight and bright for some guitars or players.If the clean tones of other P-90s are too prickly for your taste, the Z-90s may feel just right. The Lollars would be a great choice for brighter-toned guitars. Tones: Versatility: Build/Design: Value: Street: (each) Company Seymour Duncan Phat Cat Set Duncan’s Phat Cats are bright and articulate single-coils that deliver strong note attack, with lots of “stringiness.” Chords and single notes snap and pop, making them a great choice for fingerstyle playing, funky rhythm work, country licks, or any other style where clarity is essential.
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Montadas con imanes Alnico II, son más graves y definidas en medios y agudas que las originales P-90.
We make the thin-wall molded covers because it’s the only way to have a pure, sonically transparent cover.” Metal covers do alter a pickup’s magnetic field, though there’s not much agreement on whether they do so for better or worse. Tones: Versatility: Build/Design: Value: Street: $135 (each) Lollar Single-Coil for Humbucker Set Lollar Single-Coil for Humbucker Set With their eye-catching black-and-nickel design and subtle curves, Jason Lollar’s take on humbucker-sized P-90s may be the prettiest of our contestants. Fatter in the low-mids than most of their rivals, they emphasize warmth and complexity over snappy attack.
Either way, if you’re a player who removes pickup covers, you’ll get the same result here without stripping down. They’re not exactly dark sounding, but they’ve got an old, vintage vibe—as if the magnets have softened over time.
That said, the plastic covers are prone to buckling at the edges where they meet their base plates, and given how thin they are, one couldn’t be blamed for wondering whether they’ll withstand aggressive, Pete Townshend-style playing or multiple installations in different guitars. Another Z-90 design departure is the presence of fixed pole pieces in lieu of adjustable screws, and they’re extra-large, too—a design that can sometimes enhance bass response. Lollar P-90s sound smooth and smoky in the best possible way (think well-aged whiskey).
It certainly does here: The Z-90s churn up powerful lows. They track dynamics superbly—notes never seem to leap out more than intended—and this consistent response will flatter many players.